Born and bred in the South of France, a city called Bidart, I went to Bordeaux at the age of 18 to study Psychology in the first place. After obtaining my Bachelor degree, I wanted to achieve something different for myself, a field where I could express my views.

That's how I jumped into a HND of Graphic Design at Creasud, and came to London soon after in 2015. I was thrilled by the challenge

of a bigger city and the possibility to push the RESET button to finally find myself.

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I worked in various fields to be able to have a good spoken English and went to work in Paris as a graphic designer in 2018 at the studio Elsa muse, a place where stop-motion is THE QUEEN. Coming back after a break from the Big smoke, I figured out that graphic design wasn't enough to fulfil my fantasies; it still animates me but it was just about time to upgrade my skills.

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Very much amused by motion, I decided to dive into the world of animation and taught myself how

to give life to my own stories. At the beginning, it was only a way for me to say what I could not express with words. And then, I started to value my work enough to share it with friends and strangers on social medias. I could have never imagined

that people would be interested in my absurd, colourful and sometimes vulgar kind of style; but they were and it made me feel alive!!

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Brand identity, illustration, editorial, animation, storytelling, storyboarding, all served with good communication skills, attention and sensitivity is the package that I am offering to you readers.

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In human beings I have faith, RESPECT EACH OTHER is my motto,

queerness and mental health are my soft spots, giving a real voice to the unheard is my shameless life's long project and will always be.

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"Less is more" by Ludwig Mies van der Rohe encapsulates in my opinion my graphic design style.

I envision it as slick, clean and bold; where Swiss style and Russian constructivism have always been a great inspiration. As Russian artists were so called, I like to imagine myself as an engineer when it comes to create something new; I live for the challenge of pushing the taboo in the rigid confines of the graphic form. But I keep in mind that the final has to be accessible, yet surprising and impactful.

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"Less is a bore" by Robert Venturi is a perfect representation of what I do as an animator; kinky, colourful, opulent and almost tiring

because of what's given to the eyes but always poignant. It's full of truth, my truth. Dada had and still has a huge impact on my freedom

to create. No rules to follow because it's ruleless, it is like stepping into a dimension where

absurdity, provocation, shamelessness, authenticity and freedom of speech are to be embraced.

It is creating a space where: dreams and nightmares can be spoken, Mr. Hyde can finally be seen and Beetlejuice can always be summoned.